Exploring creative relationships between hand-made, code and AI Art
Created using experimental LoRA training models. Including Excel Mesh Painting and Mesh Painting datasets which reference handmade acrylic mesh paintings and digital artworks Chris Follows created over the past two decades.
Long-form generative p5.js artworks, on-chain and IPFS collections
Blind Mint Mesh Paintings on drop.art
Shaping the landscape of creative learning using generative AI
Collaboration with Arno (formerly zeroone) and SUPERBOTTEGA
Mesh Paintings on Tezos.
Artificial Mesh Paintings on OBJKT.
Redacted AI and Gen Mesh Paintings.
Acrylic mesh paintings in corporate and private collections.
Artificial Landscapes on OBJKT.
Experimental p5 mesh painting on rodeo/opensea
90 Blocks on hic et nunc.
Artificial Landscapes on Arno.
Mesh Painting Collections on Foundation/OpenSea.
Overview of Mesh Painting process, from Acrylic Paint to VR, AI and Code.
Creative tech projects and events at national arts institutions including Tate and BFI.
Acrylic Paint and Perforated Aluminum Mesh Paintings.
Teztree, all links and collections.
About
UK-based multidisciplinary artist whose practice spans painting, printmaking, sculpture, site-specific installation and video. His work centres on painting, evolving through deep experimentation with materials, processes and technology.
Co-founder of artsXR, an immersive production studio, and Emerging Technologies Lead at University of the Arts London (UAL), exploring the integration of new technologies into arts practice, including design, performance and art.
Chris established the Digital Maker Collective (DMC) in 2016 and was invited to be a Tate Exchange associate in 2017, curating several large-scale creative tech events over four years at Tate Modern and Tate Britain.
His mesh paintings are held in corporate and private collections, and his digital mesh paintings can be found in web3 collections across multiple blockchains.